A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
August 22, 1909
Died:
February 7, 1952
From Wikipedia, the free encyclopedia. Philip G. Epstein (August 22, 1909 – February 7, 1952) was an American screenwriter most known for his adaptation in partnership with his twin brother, Julius, and others, of the unproduced play Everybody Comes to Rick's which became the Academy Award-winning screenplay of the film Casablanca (1942). Epstein was born in New York City and raised on the Lower East Side of Manhattan. His father was a livery stable owner in the days when horses were still common on the streets of the city. He attended Pennsylvania State College (now Penn State University), gaining his degree in 1931. Jack Warner, head of Warner Brothers, had a love-hate relationship with the Epstein brothers. He could not argue with their commercial success, but he deplored their pranks, their work habits and the hours they kept. In 1952, Warner gave the brothers' names to the House Un-American Activities Committee (HUAC). They never testified before the committee, but on a HUAC questionairre, when asked if they ever were members of a "subversive organization," they wrote-in, "Yes. Warner Brothers." Epstein died of cancer in Hollywood, California in 1952 at the age of 42. His son Leslie Epstein directs the creative writing program at Boston University and is an accomplished novelist. His grandson Theo Epstein is the general manager of the Boston Red Sox. His granddaughter Anya Epstein is a screenwriter. Description above from the Wikipedia article Philip G. Epstein, licensed under CC-BY-SA,full list of contributors on Wikipedia.
Additional Dialogue:
1941 Honeymoon for Three
Producer:
1941 Honeymoon for Three
1944 Mr. Skeffington
Screenplay:
1936 Grand Jury
1936 Love on a Bet
1936 Mummy's Boys
1936 The Bride Walks Out
1937 New Faces of 1937
1938 The Mad Miss Manton
1939 Four Wives
1940 No Time for Comedy
1940 Saturday's Children
1941 Honeymoon for Three
1941 The Bride Came C.O.D.
1941 The Man Who Came to Dinner
1941 The Strawberry Blonde
1942 The Male Animal
1943 Casablanca
1944 Arsenic and Old Lace
1944 Mr. Skeffington
1948 Romance on the High Seas
1953 Forever Female
1954 The Last Time I Saw Paris
1958 The Brothers Karamazov
Theatre Play:
1936 Grand Jury
1936 Love on a Bet
1936 Mummy's Boys
1936 The Bride Walks Out
1937 New Faces of 1937
1938 The Mad Miss Manton
1939 Four Wives
1940 No Time for Comedy
1940 Saturday's Children
1941 Honeymoon for Three
1941 The Bride Came C.O.D.
1941 The Man Who Came to Dinner
1941 The Strawberry Blonde
1942 The Male Animal
1943 Casablanca
1944 Arsenic and Old Lace
1944 Mr. Skeffington
1948 Romance on the High Seas
1949 Chicken Every Sunday
1953 Forever Female
1954 The Last Time I Saw Paris
1958 The Brothers Karamazov
Writer:
1936 Grand Jury
1936 Love on a Bet
1936 Mummy's Boys
1936 The Bride Walks Out
1937 China Passage
1937 New Faces of 1937
1938 The Mad Miss Manton
1938 There's That Woman Again
1939 Daughters Courageous
1939 Four Wives
1940 No Time for Comedy
1940 Saturday's Children
1941 Honeymoon for Three
1941 The Bride Came C.O.D.
1941 The Man Who Came to Dinner
1941 The Strawberry Blonde
1942 The Male Animal
1943 Casablanca
1943 Why We Fight: Divide and Conquer
1944 Arsenic and Old Lace
1944 Mr. Skeffington
1948 Romance on the High Seas
1949 Chicken Every Sunday
1950 My Foolish Heart
1951 Take Care of My Little Girl
1953 Forever Female
1954 The Last Time I Saw Paris
1958 The Brothers Karamazov
2000 Why We Fight: World War II: The Battle of China / War Comes to America
2025 Scenes from Casablanca
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.