Home

Yacine Badday

Biography from TheMovieDB

Yacine Badday writes for film and television. He co-wrote Chloé Mazlo's feature film, "Sous le Ciel d'Alice". He is also co-writer of the feature film "L'Été l'Éternité" by Emilie Aussel. He is currently writing with Just Philippot's second feature film, "Eau-Forte".

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2010  Jean Aurenche, écrivain de cinéma
2011  Le cinéma de Boris Vian
2015  Sur la pointe des pieds
2016  Les Soucis

Screenplay:
2008  Hors Saison
2010  Jean Aurenche, écrivain de cinéma
2011  Le cinéma de Boris Vian
2015  Conte de fées à l'usage des moyennes personnes
2015  Sur la pointe des pieds
2016  Diamenteurs
2016  Les Soucis
2018  Hors Combat
2019  Chicken Of The Dead
2021  Skies of Lebanon
2022  Our Eternal Summer
2022  Seniors 3000
2023  Acid
2024  Little Jaffna

Screenstory:
2008  Hors Saison
2010  Jean Aurenche, écrivain de cinéma
2011  Le cinéma de Boris Vian
2015  Conte de fées à l'usage des moyennes personnes
2015  Sur la pointe des pieds
2016  Diamenteurs
2016  Jean-Marie Serreau, découvreur de théâtres
2016  Les Soucis
2018  Hors Combat
2019  Chicken Of The Dead
2021  Skies of Lebanon
2022  Our Eternal Summer
2022  Seniors 3000
2023  Acid
2024  Little Jaffna

Script Consultant:
2008  Hors Saison
2010  Jean Aurenche, écrivain de cinéma
2011  Le cinéma de Boris Vian
2013  L'âge de son retour
2014  Garçonne
2015  Conte de fées à l'usage des moyennes personnes
2015  Sur la pointe des pieds
2016  Diamenteurs
2016  Jean-Marie Serreau, découvreur de théâtres
2016  Les Soucis
2018  Hors Combat
2019  Chicken Of The Dead
2020  Whales Don't Swim
2021  Atér
2021  La chaleur du foyer
2021  Skies of Lebanon
2022  Gazing at Stars
2022  Grand Prix
2022  Our Eternal Summer
2022  Seniors 3000
2023  Acid
2024  Little Jaffna

Click the heading above to show or hide the list.

TV Production

Script Consultant:
2021  The Mopes

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.