Paco Mir (b. 1957)

Birthplace:
Barcelona, Spain

Born:
November 15, 1957

I was born in ’57 and they immediately saw that I was male and that they would have to call me Francisco, which was the traditional thing to do in the Mir branch of the family. As a child I went through a stage of “Currito” (to differentiate myself from my father, who was called Curro) and even a “Currito de Oro” which, years later I took advantage of, using the name as an alias of a character who was a bullfighter. Finally everyone agreed and they called me Paco. I was going to be a Fine Arts student (although I really wanted to draw comic strips) when I happened to stumble upon the performing arts and, today, after kicking stages around the world for almost 40 years, creating eight works with Tricicle, writing a lot, winning two Max awards, producing several television series, creating advertising campaigns and adapting and directing (with some success) more than fifty theater, zarzuela and opera titles, I still have the feeling that I am in the show business by sheer chance. I never stopped drawing just in case.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.