Javi Espárrago (b. 2000)

Birthplace:
Granada, Spain

Born:
November 23, 2000

Diploma in Documentary Film from the ECAM. Author of the short films, "Now that we are all here", "Bresalia Girls" and "El Cielo del Bosque", the latter selected in Aguilar de Campoo (2020) and Mecal Pro (2021).

Additional information:

The Search Form


Camera Operator:
2017  Miradas Encontradas

Cinematography:
2017  Miradas Encontradas
2020  seventeen syllables

Director:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2022  Nocturnal Carousel
2022  Now that we are all here
2023  Vapor

Editor:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2022  Nocturnal Carousel
2022  Now that we are all here
2023  Vapor

Executive Co-Producer:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2022  Nocturnal Carousel
2022  Now that we are all here
2023  Vapor

Production Assistant:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2021  No conozco la historia del fuego
2022  Nocturnal Carousel
2022  Now that we are all here
2023  Vapor
2024  We All Play

Script:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2021  No conozco la historia del fuego
2022  Nocturnal Carousel
2022  Now that we are all here
2023  Vapor
2024  We All Play

Thanks:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2021  No conozco la historia del fuego
2022  Nocturnal Carousel
2022  Now that we are all here
2022  Plastic Touch
2023  Vapor
2024  We All Play

Writer:
2017  Miradas Encontradas
2020  María e Iván
2020  The Forest Sky
2020  seventeen syllables
2021  6 A. M.
2021  Bresalia Girls
2021  Heal The Pain
2021  La Recogida
2021  No conozco la historia del fuego
2022  Nocturnal Carousel
2022  Now that we are all here
2022  Plastic Touch
2023  Vapor
2024  We All Play

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.