Anne Koizumi

Gallery Unavailable

Anne Koizumi completed her undergraduate studies in Film Production at the University of British Columbia and her Masters in Film Production at York University in 2011. In 2006, she was invited by the National Film Board of Canada to participate in Hothouse 3, an animation intensive for emerging animators, where she completed her first professional film "A Prairie Story". Her films have screened nationally and internationally at Annecy International Animation Festival, Slamdance, Animation Nation in Singapore, WNDX and the Calgary International Film Festival. In 2008, Anne was awarded the Lieutenant Governor of Alberta Emerging Artist Award, quoted by the Jury as being “a superb animator, a fantastic story-teller, passionate, creative and inspirational in the way she uses sophisticated imagery and sound.” Anne has taught stop-motion animation workshops at the TIFF Bell Lightbox, Hospitals and Community Centres throughout Toronto, Quickdraw Animation Society in Calgary, Alberta and taught animation and documentary workshops at the National Film Board of Canada, to eventually work in the educational department of the NFB. She then made "The Yellow Wallpaper", an short animation film adaptation of the story by Charlotte Perkins Gilman that was screened at multiples festivals. Her latest film, "In the Shadow of the Pines" had it world premiere at the Hot Docs international documentary film festival that was screened online in 2020 and has been acquired by CBC (Canadian Broadcasting Corporation) to be available on their streaming platform CBC Gems.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.