A work in constant progress (and occasional regress).
Alias:
بيير كليمنت
Birthplace:
La Rochelle, Charente-Maritime, France
Born:
October 3, 1927
Died:
October 8, 2007
Pierre Clément is a French director and cinematographer, born October 3, 1927 in Le Mans and died October 8, 2007 in La Rochelle. After his studies at IDHEC, Pierre Clément went to Tunis in 1957 at the same time as René Vautier to film independent Tunisia. He was integrated into the FLN cinema team and shot “Sakiet Sidi Youcef” in 1958, contributing to the birth of independent Algerian cinema. He was arrested in October of the same year by the French army on the territory of Algeria and narrowly escaped summary execution. His camera and film were seized and will never be returned to him. Sentenced to 10 years in prison for endangering the external security of the State, he was amnestied in October 1962. He then worked in Algeria to participate in the training of filmmakers, then as director of photography for several films by René Vautier . In 2004, he testified with René Vautier, Olga Poliakoff and Yann Le Masson in the documentary "Algérie, d'autres egards", by Raphaël Pillosio, on the conditions of his commitment to the independence of Algeria and on the methods of production and distribution of films made at that time in this country.
Cinematography:
1956 Les Anneaux d'Or
1972 To Be Twenty in the Aures
1974 The Madwoman of Toujane
Director:
1956 Les Anneaux d'Or
1958 Algerian Refugees
1972 To Be Twenty in the Aures
1974 The Madwoman of Toujane
Director of Photography:
1956 Les Anneaux d'Or
1958 Algerian Refugees
1972 To Be Twenty in the Aures
1974 The Madwoman of Toujane
1977 Quand les femmes ont pris la colère
1982 Le transfuge
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.