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Ruby Mathers

Biography from TheMovieDB

After assisting production designer Fiona Crombie on Garth Davis’ MARY MAGDALENE shot on location in Italy for See Saw Films, Ruby has forged an impressive trajectory into long-form production design, including the first season of Nash Edgerton’s celebrated series MR INBETWEEN for FX and Foxtel; the Australian box office hit THE DRY, adapted from Jane Harper’s best-selling novel for writer/director Robert Connolly and produced by Made Up Stories; and the fourth season of TOP BOY for Cowboy Films and Netflix, shot in London. In 2022, Ruby Associate Production designed Garth Davis’ feature film FOE, production designed by Patrice Vermette, starring Paul Mescal and Saoirse Ronan for See Saw Films, Anonymous Content, and Amazon Studios.  In 2024, Ruby is in production on WOLF MAN for writer/director Leigh Whannell, starring Christopher Abbott and Julia Garner, produced by Blumhouse Productions and Universal Studios.  Information above via their homepage.

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Additional information:

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Film Production

Production Design:
2015  The Widow
2018  Nursery Rhymes
2019  Angel of Mine
2021  The Dry
2025  Wolf Man

Props:
2015  The Widow
2018  Nursery Rhymes
2019  Angel of Mine
2021  The Dry
2025  Wolf Man
????  Big Bad Love

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.