Ed Nachtrieb

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Edward Nachtrieb is an award-winning journalist, photographer, writer, producer, and director/cameraman whose background includes documentaries, television series, public service outreach, and independent film.  Nachtrieb began his career in the 1980s as a photojournalist for Reuters News Pictures in Asia. He covered stories throughout the region, including the Philippine’s People Power Revolution, political unrest in Korea, and refugees escaping war in Sri Lanka. As Reuters Chief Photographer in China, he smuggled film out of Tibet, helped uncover previously unreported unrest in Xinjiang, and led a photo team that covered the pro-democracy movement from the first student protests to the bloody crackdown in Tiananmen Square.  Back in the United States in the 1990s, he formed a production company in New Mexico with a portfolio that included award-winning television commercials, public service documentaries, and outreach programs for the State of New Mexico and Native American tribes. After moving to Los Angeles in 1997, he worked in television as a writer, producer, and director. Among his credits, he was Supervising Producer/Director John Ratzenberger’s Made in America (Travel Channel); Executive Producer/Director of the acclaimed Small Shots (TNN/Spike); and a comedy Director for Jimmy Kimmel Live (ABC).  Nachtrieb's documentaries include All the Way Home: Bravery on the Home Front, which was screened for the House Veterans Affairs Committee in Washington DC and raised money for veterans’ support groups; A Measure of Justice about the International Court for the Former Yugoslavia; and A Flash of Green about the extraordinary WW2 experiences of Charles McCandless.  Other recent projects include a set of collaborative works with artist Shepard Fairey entitled Revolution in our Time and Long Live the People as well as a slate of independent films including A Flash of Green; Windows of Time; and Anton West: Savior Genius.

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Camera Operator:
1998  Independent's Day

Director:
1998  Independent's Day
2018  The Art of Acid

Director of Photography:
1998  Independent's Day
2018  The Art of Acid

Editor:
1998  Independent's Day
2018  The Art of Acid

Producer:
1998  Independent's Day
2001  The New Women
2018  The Art of Acid

Writer:
1998  Independent's Day
2001  The New Women
2018  The Art of Acid

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.