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Lilit Movsisyan (b. 1989)

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Birthplace:
Yerevan, Armenian, USSR

Born:
January 1, 1989

Biography from TheMovieDB

Lilit Movsisyan is a dynamic and emerging talent, graduated with honors from the Institute of Theater and Cinematography in 2009. Her short film "Me Too" won three prizes at the Syracuse International Film Festival.  In 2018, she served as a jury member at the ReAnimania International Animation Film and Comics Art Festival of Yerevan. Her short film "The Trial" competed at GAIFF 2019. Lilit's first feature-length documentary, "Fight," a collaborative Armenian-French production, has earned recognition on various platforms, including DocsBarcelona Public Pitch 2020 and Baltic Sea Docs in 2019. She is a seasoned participant in industry events such as GAIFF Pro C2C Market, B2B Doc, EurasiaDoc workshops, EAVE on Demand, and Talents Sarajevo.  Committed to sharing her experience, Lilit teaches filmmaking at the TUMO Center for Creative Technologies for teenagers. Her latest film project, "Shakespeare Goes Armenian," in co-direction with Inna Sahakyan (Aurora's Sunrise 2022) has already won The DAE Talent Development Award at WHEN EAST MEETS WEST co-production forum.

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Additional information:

The Search Form


Film Production

Cinematography:
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Director:
2013  Caucho
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Editor:
2013  Caucho
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Producer:
2013  Caucho
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Writer:
2013  Caucho
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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