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Camilla Holst Vea

Biography from TheMovieDB

Camilla Holst Vea is a Norwegian Senior Colorist. She started working at Storyline Studios in 2004. She has vast experience with feature films, short films, commercials, documentaries, and music videos. Camilla has also graded several award winning TV series, such as Nobel and Valkyrien.

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Additional information:

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Film Production

Color Grading:
2015  The Marathon Diary
2024  Maybe Elephants

Colorist:
2010  Happy, Happy
2013  Burger
2013  It’s Only Make Believe
2013  Kiss Me You Fucking Moron
2014  One Night in Oslo
2015  Dark Woods II
2015  The Marathon Diary
2016  Welcome to Norway!
2018  An Affair
2018  Now It's Dark
2018  The Other Munch
2018  Utøya: July 22
2019  Hope
2019  The Tunnel
2021  Ealát
2021  HIM
2024  Den Fremmede
2024  Maybe Elephants

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TV Production

Colorist:
2015  Occupied
2016  Nobel
2017  Valkyrien
2020  For Life
2020  Witch Hunt
2022  A Storm for Christmas
2022  Headhunters
2022  Made in Oslo
2023  Power Play

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.