A work in constant progress (and occasional regress).
Birthplace:
Modesto, California, USA
Born:
October 4, 1945
Marcia Lou Lucas is an American film editor. She is best known for her work editing the Star Wars trilogy as well as other films by her then-husband George Lucas: THX-1138 and American Graffiti. She also edited Martin Scorsese's Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York.
Assistant Editor:
1968 The New Cinema
1969 Medium Cool
1969 The Rain People
1971 THX 1138
1972 The Candidate
Editor:
1968 Filmmaker
1968 The New Cinema
1969 Medium Cool
1969 The Rain People
1971 THX 1138
1972 The Candidate
1973 American Graffiti
1974 Alice Doesn't Live Here Anymore
1977 New York, New York
1977 Star Wars
1979 More American Graffiti
1980 The Empire Strikes Back
1983 Return of the Jedi
Executive Producer:
1968 Filmmaker
1968 The New Cinema
1969 Medium Cool
1969 The Rain People
1971 THX 1138
1972 The Candidate
1973 American Graffiti
1974 Alice Doesn't Live Here Anymore
1977 New York, New York
1977 Star Wars
1979 More American Graffiti
1980 The Empire Strikes Back
1983 Return of the Jedi
1996 No Easy Way
Producer:
1968 Filmmaker
1968 The New Cinema
1969 Medium Cool
1969 The Rain People
1971 THX 1138
1972 The Candidate
1973 American Graffiti
1974 Alice Doesn't Live Here Anymore
1977 New York, New York
1977 Star Wars
1979 More American Graffiti
1980 The Empire Strikes Back
1983 Return of the Jedi
1996 No Easy Way
1998 A Good Son
Supervising Film Editor:
1968 Filmmaker
1968 The New Cinema
1969 Medium Cool
1969 The Rain People
1971 THX 1138
1972 The Candidate
1973 American Graffiti
1974 Alice Doesn't Live Here Anymore
1976 Taxi Driver
1977 New York, New York
1977 Star Wars
1979 More American Graffiti
1980 The Empire Strikes Back
1983 Return of the Jedi
1996 No Easy Way
1998 A Good Son
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.