Marcia Lucas (b. 1945)

Birthplace:
Modesto, California, USA

Born:
October 4, 1945

Marcia Lou Lucas is an American film editor. She is best known for her work editing the Star Wars trilogy as well as other films by her then-husband George Lucas: THX-1138 and American Graffiti. She also edited Martin Scorsese's Alice Doesn't Live Here Anymore, Taxi Driver, and New York, New York.

Additional information:

The Search Form


Assistant Editor:
1968  The New Cinema
1969  Medium Cool
1969  The Rain People
1971  THX 1138
1972  The Candidate

Editor:
1968  Filmmaker
1968  The New Cinema
1969  Medium Cool
1969  The Rain People
1971  THX 1138
1972  The Candidate
1973  American Graffiti
1974  Alice Doesn't Live Here Anymore
1977  New York, New York
1977  Star Wars
1979  More American Graffiti
1980  The Empire Strikes Back
1983  Return of the Jedi

Executive Producer:
1968  Filmmaker
1968  The New Cinema
1969  Medium Cool
1969  The Rain People
1971  THX 1138
1972  The Candidate
1973  American Graffiti
1974  Alice Doesn't Live Here Anymore
1977  New York, New York
1977  Star Wars
1979  More American Graffiti
1980  The Empire Strikes Back
1983  Return of the Jedi
1996  No Easy Way

Producer:
1968  Filmmaker
1968  The New Cinema
1969  Medium Cool
1969  The Rain People
1971  THX 1138
1972  The Candidate
1973  American Graffiti
1974  Alice Doesn't Live Here Anymore
1977  New York, New York
1977  Star Wars
1979  More American Graffiti
1980  The Empire Strikes Back
1983  Return of the Jedi
1996  No Easy Way
1998  A Good Son

Supervising Film Editor:
1968  Filmmaker
1968  The New Cinema
1969  Medium Cool
1969  The Rain People
1971  THX 1138
1972  The Candidate
1973  American Graffiti
1974  Alice Doesn't Live Here Anymore
1976  Taxi Driver
1977  New York, New York
1977  Star Wars
1979  More American Graffiti
1980  The Empire Strikes Back
1983  Return of the Jedi
1996  No Easy Way
1998  A Good Son

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.