Xavier Amorós

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Xavier Amorós moved to London 15 years ago to pursue his dream of working as a cinematographer. Originally from Barcelona, he completed his studies in Cinematography at the UK’s National Film and Television School.  Xavi has been working as a cinematographer in music videos, commercials, feature films, documentaries, TV and art films in the UK and internationally.  He strives for new challenges bringing his passion, flair and adaptability to the needs of every project, and always seeking the right visual poetry to fit the storytelling.  Working worldwide and within a team has been integral to his development as a cinematographer bringing him new perspectives and an acute visual sensibility.  He has worked for production companies including Academy Films, Somesuch, Saatchi & Saatchi, Archer's Mark,Great Guns USA, channels including BT Sports, Channel 4, BBC, and brands such as McDonald's, Beats by Dre, Nike, Yamaha, Net-a-Porter, Strava, Booking.com, Western Union, New Balance,Hugo Boss, Bacardi, Ballantines,Adidas.  He is able to speak several languages including Catalan; Spanish; English and Italian.

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Cinematography:
2016  Flyspy

Director of Photography:
2011  Six Degrees
2016  Flyspy

Focus Puller:
2006  Kiss Me
2008  1234
2011  Six Degrees
2016  Flyspy

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.