A work in constant progress (and occasional regress).
In 2008, Mohammed Alhamoud co-founded the Riyadh-based Talashi Film Collective, which was dedicated to making short films to screen in film festivals of neighboring countries a decade before cinemas opened in Saudi Arabia. Talashi produced numerous shorts, including Sunrise/Sunset (2009), which won both the Muhr Arab Special Mention and the FIPRESCI Prize awards at the Dubai International Film Festival in 2009. Mohammed obtained an MFA in film directing from the Academy of Art University in San Francisco in 2013. He wrote, directed, and produced a few shorts including Shadow (2009), Anarosa Springs (2013), and most recently Ertidad (Goin South) (2019), which was selected for the International Competition of Clermont-Ferrand and many international film festivals. In 2017, Mohammed founded Last Scene Films, a Riyadh-based production house specialized in producing independent arthouse features, documentaries, and short films. Its debut feature Last Visit (2019) by Abdulmohsen Aldhabaan premiered at the East of the West Competition in the Karlovy Vary International Film Festival and it was the Jury Award winner at the 2019 Marrakech IFF. He is currently developing Four Acts of Disruption, which won a Special Development grant from the Red Sea Film Festival in 2020, and most recently, he participated at the 2021 Rotterdam Lab and Cannes Producers Network. Mohammed's films deal with social, cultural, and intergenerational tensions, urban-rural divide, and collective national memory.
Director:
2009 Shadow
2019 Goin South
Executive Producer:
2009 Shadow
2019 Goin South
2023 Night Courier
Producer:
2009 Shadow
2019 Goin South
2019 Last Visit
2023 Night Courier
2024 Saify
???? AlGaid
Writer:
2009 Shadow
2019 Goin South
2019 Last Visit
2023 Night Courier
2024 Saify
???? AlGaid
Producer:
2022 Love, Life & Everything in Between
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.