A work in constant progress (and occasional regress).
ADR Mixer:
2019 Crypto
2020 A Predator's Obsession
ADR Recordist:
2018 Love, of Course
2019 Crypto
2020 A Predator's Obsession
Dialogue Editor:
2018 Love, of Course
2019 Crypto
2020 A Predator's Obsession
2021 Mistletoe in Montana
2022 How to Live Your Best Death
Foley Mixer:
2018 Love, of Course
2019 Crypto
2020 A Predator's Obsession
2021 Mistletoe in Montana
2022 How to Live Your Best Death
Foley Recordist:
2017 Splitting Image
2018 Love, of Course
2018 Wild Nights with Emily
2019 Crypto
2020 A Predator's Obsession
2021 Mistletoe in Montana
2022 How to Live Your Best Death
Sound Designer:
2017 Splitting Image
2018 Love, of Course
2018 Wild Nights with Emily
2019 Crypto
2020 A Predator's Obsession
2021 Mistletoe in Montana
2022 How to Live Your Best Death
2023 Where Are You, Christmas?
Sound Editor:
2017 Splitting Image
2018 Love, of Course
2018 Wild Nights with Emily
2019 Crypto
2020 A Predator's Obsession
2021 Christmas in Tune
2021 Mistletoe in Montana
2021 Next Stop, Christmas
2021 Soul Santa
2022 Alone Together
2022 How to Live Your Best Death
2023 A Merry Scottish Christmas
2023 Alien Intervention
2023 Haul Out the Holly: Lit Up
2023 Where Are You, Christmas?
2024 The Christmas Quest
2024 The Finnish Line
Sound Effects Editor:
2017 Splitting Image
2018 Love, of Course
2018 Wild Nights with Emily
2019 Crypto
2020 A Predator's Obsession
2021 Christmas in Tune
2021 Mistletoe in Montana
2021 Next Stop, Christmas
2021 Soul Santa
2022 Alone Together
2022 How to Live Your Best Death
2023 A Merry Scottish Christmas
2023 Alien Intervention
2023 Haul Out the Holly: Lit Up
2023 Where Are You, Christmas?
2024 The Christmas Quest
2024 The Finnish Line
Sound Re-Recording Mixer:
2017 Splitting Image
2018 Love, of Course
2018 Wild Nights with Emily
2019 Crypto
2020 A Predator's Obsession
2021 Christmas in Tune
2021 Mistletoe in Montana
2021 Next Stop, Christmas
2021 Soul Santa
2022 Alone Together
2022 How to Live Your Best Death
2023 A Merry Scottish Christmas
2023 Alien Intervention
2023 Body Electric
2023 Haul Out the Holly: Lit Up
2023 Where Are You, Christmas?
2024 Ol' Dirty Bastard: A Tale of Two Dirtys
2024 The Christmas Quest
2024 The Finnish Line
Supervising Sound Editor:
2017 Splitting Image
2018 Love, of Course
2018 Wild Nights with Emily
2019 Crypto
2020 A Predator's Obsession
2021 Christmas in Tune
2021 Mistletoe in Montana
2021 Next Stop, Christmas
2021 Soul Santa
2022 Alone Together
2022 How to Live Your Best Death
2023 A Merry Scottish Christmas
2023 Alien Intervention
2023 Body Electric
2023 Haul Out the Holly: Lit Up
2023 Where Are You, Christmas?
2024 Ol' Dirty Bastard: A Tale of Two Dirtys
2024 The Christmas Quest
2024 The Finnish Line
Sound Re-Recording Mixer:
2021 Turning the Tables with Robin Roberts
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.