Arnon Manor

Arnon Manor is a filmmaker, and for the last nine years has been a production executive at Sony Pictures, where he oversees the visual effects on a large variety of the studio movies, ranging from comedies such as Sex Tape, 21 and 22 Jump Streets, action such as Captain Phillips, Fury, Bad Boys, and CG animated movies such as Peter Rabbit. In this capacity, he works directly with with filmmakers, including Seth Rogen & Evan Goldberg, Antoine Fuqua, Jaume Collet-Serra and many others. Arnon started his career as a CG animator and visual effects artist in Europe, then became a supervisor and VFX producer in the US. In between his studio day job, Arnon is an independent filmmaker, writing, producing, and directing, including producing a couple of independent features, and recently produced and directed the successful indie web-series, Mondays.

Additional information:

The Search Form


3D Animator:
1995  The City of Lost Children

3D Modeller:
1995  The City of Lost Children

Director:
1995  The City of Lost Children
2020  Cops and Robbers
????  Quarter

Editor:
1995  The City of Lost Children
2020  Cops and Robbers
????  Quarter

Producer:
1995  The City of Lost Children
2005  Heart of the Beholder
2005  Rings
2020  Cops and Robbers
????  Quarter

Visual Effects Producer:
1995  The City of Lost Children
2005  Heart of the Beholder
2005  Rings
2012  Man on a Ledge
2012  Project X
2020  Cops and Robbers
????  Quarter

Creator:
2017  Mondays

Director:
2017  Mondays

Producer:
2017  Mondays

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.