A work in constant progress (and occasional regress).
Born:
August 8, 1974
Kingsley Marshall is a UK-based academic, film producer and composer, specializing in music composition for film, and the production of shorts and feature films. He was executive producer on the feature "Wilderness" (Director: Justin John Doherty, 2017) and "The Tape" (Director: Martha Tilston, 2021), Long Way Back (Director: Brett Harvey, 2022), and Enys Men (Director: Mark Jekin, 2023). He was producer for "Backwoods" (Director: Ryan Mackfall, 2019) and "The Birdwatcher" (Director: Ryan Mackfall, 2023), and composed the original soundtracks for "Hard, Cracked the Wind" (Director: Mark Jenkin, 2019) and "Dean Quarry" (Director: Rachael Jones, 2021).
Executive Producer:
2017 Wilderness
2021 The Tape
2022 Enys Men
2022 Long Way Back
2024 The Devil's Footprints
Line Producer:
2017 Wilderness
2021 The Tape
2021 Trivium: In the Court of the Dragon
2022 Enys Men
2022 Long Way Back
2024 The Devil's Footprints
Music:
2017 Wilderness
2019 Hard, Cracked the Wind
2021 The Tape
2021 Trivium: In the Court of the Dragon
2022 Enys Men
2022 Long Way Back
2024 The Devil's Footprints
Producer:
2017 Wilderness
2019 Backwoods
2019 Hard, Cracked the Wind
2021 Dean Quarry - with eyes that are not seen are quickly forgotten
2021 The Tape
2021 Trivium: In the Court of the Dragon
2022 Enys Men
2022 Long Way Back
2024 The Devil's Footprints
Sound Designer:
2017 Wilderness
2019 Backwoods
2019 Hard, Cracked the Wind
2021 Dean Quarry - with eyes that are not seen are quickly forgotten
2021 The Tape
2021 Trivium: In the Court of the Dragon
2022 Enys Men
2022 Long Way Back
2024 The Devil's Footprints
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.