A work in constant progress (and occasional regress).
Birthplace:
Charlotte, North Carolina, USA
Born:
January 19, 1996
Christian Taylor Jessup (born 19 January 1996) is an award-winning film composer. He composed music for films including "The Dancin' Bulldogs" and "The Called," the former of which received an award nomination at the 2020 NC Film Critics Association Awards. In 2017, he interned at Remote Control Productions, Hans Zimmer's film studio. Jessup is also Executive Producer for Anecdotal Pictures.
Director:
2022 My Great Great Great Uncle Built Churches
???? The Unelected Statesman
Editor:
2022 My Great Great Great Uncle Built Churches
???? The Unelected Statesman
Editorial Consultant:
2021 Freedom Is Fake
2022 My Great Great Great Uncle Built Churches
???? The Unelected Statesman
Music:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Music Score Producer:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Original Music Composer:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Producer:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Sound Designer:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Sound Editor:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Sound Mixer:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Writer:
2016 A New Score
2017 Galapagos Suite
2017 Whose Dominion?
2018 A New Score Strikes Back
2021 Be Legendary: A Devin Booker Documentary
2021 Freedom Is Fake
2021 From the Concrete
2021 Most Hated: How Kevin Durant Became the NBA’s Villain
2021 The Called
2022 My Great Great Great Uncle Built Churches
2022 Sweaty
2022 The Book of Kobe Bryant
2022 The King of South Beach
2023 Faces of Horror
2023 Faces of Horror Part II
2023 Pomegranate
2023 Yub-Nub!: The Forgotten Ewok Adventures
???? The Unelected Statesman
Editorial Consultant:
2022 The Legend of King Kong
Music:
2022 The Legend of King Kong
Producer:
2022 The Legend of King Kong
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.