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Maude Eburne (1875-1960)

Alias:
Maud Eburne Riggs

Birthplace:
Bronte-on-the-Lake, Ontario, Canada

Born:
November 10, 1875

Died:
October 15, 1960

Biography from TheMovieDB

From Wikipedia, the free encyclopedia  Maude Eburne (born Maud Eburne Riggs, 10 November 1875 – 15 October 1960) was a Canadian character actress of stage and screen, known for playing eccentric roles. Eburne began her career in stock theater in Buffalo, New York. Her early theater work was in Ontario and New York City, debuting on Broadway to great acclaim as "Coddles" in the 1914 farce A Pair of Sixes. "When I first came to New York... I said I didn't want to be beautiful young girls or stately leading women, but wanted parts that had something queer in them, especially if there were dialect."  She continued to play mainly humorous domestic roles on stage, appearing in productions such as The Half Moon (1920), Lady Butterfly (1923), Three Cheers (1928) and Many a Slip (1930), before her first significant film role — and first sound film role — in The Bat Whispers (1930), director Roland West's sound remake of his 1926 silent feature The Bat.

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.