A work in constant progress (and occasional regress).
Assistant Director:
2017 L'ultimo ballo
2020 Spacca La Testa
2022 Dandelions
Associate Producer:
2017 L'ultimo ballo
2020 Spacca La Testa
2022 Dandelions
2023 L'estate di Guido
Colorist:
2017 L'ultimo ballo
2020 Spacca La Testa
2022 Dandelions
2023 L'estate di Guido
Director:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
Editor:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
Executive Producer:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
First Assistant Director:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
Music Editor:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
Original Music Composer:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
Screenplay:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
Second Assistant Director:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
2024 The Book of Clarence
Sound Designer:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
2024 The Book of Clarence
Story:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
2024 The Book of Clarence
Writer:
2017 Encounter
2017 L'ultimo ballo
2017 La ragazza, il dito e Alino
2017 Telebox
2018 Carillon
2018 Eudaimonia
2018 Numero 69
2020 Spacca La Testa
2022 Dandelions
2022 Scarrafone
2023 L'estate di Guido
2024 The Book of Clarence
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.