Claudia Ruiz Capdevielle

She holds a Master's degree in Documentary Film and a Bachelor's degree in Communication Sciences from UNAM. She is the director and co-writer of the documentary short film "Refugio" (2022), supported by PROCINE and selected by various national and international festivals such as Shorts México, DOCUQMENTA, and FESTMyD in Chile. She is the writer and director of the documentary feature film "Concierto para necios" (2018), which was selected in the call for Post-Production Support for Feature Films in Mexico City by PROCINEDF, as well as in the Film Festivals Against Silence All Voices, León International Film Festival, FENACIR International Film Festival, the XVIII International Showcase of Women in Cinema and Television, and the Contemporary Mexican Cinema Cycle in China.  She has worked as a filmmaker, screenwriter, and editor at TV UNAM. She has also worked in productions for the Directorate General of Educational Television and in independent productions as a producer, filmmaker, editor, and sound engineer.  She was the line producer and sound engineer for the documentary series "Retrato de una adicción" by Matruska Films, as well as sound engineer and fixer for "Cocina migrante" by Los Perros Románticos, both productions for Canal 14. She is the co-producer, co-editor, and sound engineer of the documentary feature film "Ahora que estamos juntas."  She is currently the co-director of Bandada Films, a production company specializing in documentaries and audiovisual content with a social focus, gender perspective, and human rights emphasis.

Additional information:

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Director:
2023  Refuge
????  Concert For The Stubborn

Editor:
2023  Refuge
????  Concert For The Stubborn

Screenplay:
2023  Refuge
????  Concert For The Stubborn

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.