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Hannah Rosner

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Biography from TheMovieDB

Hannah Rosner grew up in Michigan and attended film school at Columbia College, where she made short films by day and played bass in a punk rock band by night. The best part of being in a band wasn't traveling the country in a beat-up Ford Aerostar, living off PBR and PB&J - it was being a part of a team of artists working together to create something special.  In 1996, Hannah lost her favorite X-Files hat, but luckily she never lost her love of science fiction. This inherent passion for genre stories led to her first job in Hollywood working with esteemed screenwriter Zak Penn, during which time she also directed an indie feature, Park City. One of Hannah's childhood dreams came true when she worked as the Script Coordinator on Steven Spielberg's Ready Player One. Her latest feature script placed in the second round at the Austin Film Festival screenplay competition and in the top ten percent of the Nicholl Fellowship. In 2018 Hannah made the Young & Hungry List. She was the Writer's Assistant on Netflix series Jupiter's Legacy.  Hannah recently graduated from the Warner Brothers TV Writers Workshop. She now writes for the CW series Legacies.

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Film Performances

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Film Production

BTS Videographer:
2011  Act Naturally

Director:
2011  Act Naturally
2015  Park City

Executive Producer:
2011  Act Naturally
2015  Park City

Production Assistant:
2009  Chicago Overcoat
2011  Act Naturally
2015  Park City

Script Coordinator:
2009  Chicago Overcoat
2011  Act Naturally
2015  Park City
2018  Ready Player One

Set Dresser:
2009  Chicago Overcoat
2011  Act Naturally
2015  Park City
2018  Ready Player One

Writer:
2009  Chicago Overcoat
2011  Act Naturally
2015  Park City
2018  Ready Player One

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TV Production

Executive Story Editor:
2018  Legacies

Writer:
2018  Legacies

Writers' Assistant:
2018  Legacies
2021  Jupiter's Legacy

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.