A work in constant progress (and occasional regress).
Alias:
Prando Visconti
Birthplace:
Milano, Italy
Born:
September 24, 1932
Died:
May 25, 1995
Eriprando Visconti was an Italian film director and screenwriter, recognized for his work in the 1960s and 1970s. Born into the noble Visconti family, he was the nephew of renowned director Luchino Visconti. Eriprando began his career assisting his uncle and other directors before making his directorial debut with A Milanese Story (1962). He is known for films such as The Lady of Monza (1969) and La Orca (1976), which often explored complex social and psychological themes. Visconti's work is noted for its narrative depth and stylistic elegance, contributing significantly to Italian cinema.
Co-Director:
1955 Abandoned
Director:
1955 Abandoned
1962 Una storia milanese
1969 The Lady of Monza
1970 Strogoff
1972 The Hassled Hooker
1972 The Pisciotta Case
1976 La Orca
1977 A Spiral of Mist
1977 Oedipus Orca
1982 Sick Love
First Assistant Director:
1955 Abandoned
1961 The Brigand
1962 Una storia milanese
1969 The Lady of Monza
1970 Strogoff
1972 The Hassled Hooker
1972 The Pisciotta Case
1976 La Orca
1977 A Spiral of Mist
1977 Oedipus Orca
1982 Sick Love
Screenplay:
1955 Abandoned
1961 The Brigand
1962 Una storia milanese
1969 The Lady of Monza
1970 Strogoff
1972 The Hassled Hooker
1972 The Pisciotta Case
1976 La Orca
1977 A Spiral of Mist
1977 Oedipus Orca
1982 Sick Love
Story:
1955 Abandoned
1961 The Brigand
1962 Una storia milanese
1969 The Lady of Monza
1970 Strogoff
1972 The Hassled Hooker
1972 The Pisciotta Case
1976 La Orca
1977 A Spiral of Mist
1977 Oedipus Orca
1982 Sick Love
Writer:
1955 Abandoned
1961 The Brigand
1962 Una storia milanese
1969 The Lady of Monza
1970 Strogoff
1972 The Hassled Hooker
1972 The Pisciotta Case
1976 La Orca
1977 A Spiral of Mist
1977 Oedipus Orca
1982 Sick Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.