A work in constant progress (and occasional regress).
Birthplace:
Chicago, Illinois, USA
Born:
November 8, 1971
Thomas Negovan was born in Chicago and is the author of numerous art history books documenting rare work from the late 19th and early 20th centuries. He has curated exhibitions and collections of rare and important Art Nouveau, Symbolist, and Expressionist artworks, lectured on the Vienna Secession and German cabaret during the Weimar Republic, and written the definitive monographs on artists Gail Potocki, Clive Barker, David Mack, and Michael Hussar. As a photographer, his work has been published in Condé Nast travel publications, and in the field of music worked as orchestra director for R. Kelly and recorded an entirely analog album on wax cylinder in 2011. In that year, Negovan gave a TEDx talk "By Popular Demand" on his experience in creating the first music recorded and released without the use of electricity in over a century. Aurora (2018) is his first film.
Associate Producer:
2017 How They Got Over
Director:
2017 How They Got Over
2018 Aurora
Executive Producer:
2017 How They Got Over
2018 Aurora
2022 Polia & Blastema
Writer:
2017 How They Got Over
2018 Aurora
2022 Polia & Blastema
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.