A work in constant progress (and occasional regress).
Birthplace:
Jackson, Tennessee, USA
Born:
July 28, 1949
Randall Wallace is an American screenwriter, director, producer, and songwriter, who came to prominence by writing the screenplay for the 1995 film Braveheart. His work on the film earned him an Oscar nomination for Best Original Screenplay and a Writers Guild of America award for Best Screenplay Adapted Directly for the Screen. His other films include The Man in the Iron Mask, Pearl Harbor, We Were Soldiers, and Secretariat.
Author:
1995 Braveheart
Director:
1995 Braveheart
1998 The Man in the Iron Mask
2002 We Were Soldiers
2010 Secretariat
2014 Heaven Is for Real
Executive Producer:
1995 Braveheart
1998 The Man in the Iron Mask
2001 Pearl Harbor
2002 We Were Soldiers
2010 Secretariat
2014 Heaven Is for Real
Producer:
1995 Braveheart
1998 The Man in the Iron Mask
2001 Pearl Harbor
2002 We Were Soldiers
2010 Secretariat
2014 Heaven Is for Real
Screenplay:
1995 Braveheart
1998 The Man in the Iron Mask
2001 Pearl Harbor
2002 We Were Soldiers
2010 Secretariat
2014 Heaven Is for Real
Story:
1995 Braveheart
1996 Dark Angel
1998 The Man in the Iron Mask
2001 Pearl Harbor
2002 We Were Soldiers
2010 Secretariat
2014 Heaven Is for Real
Writer:
1995 Braveheart
1996 Dark Angel
1998 The Man in the Iron Mask
2001 Pearl Harbor
2002 We Were Soldiers
2010 Secretariat
2014 Heaven Is for Real
???? The Resurrection of the Christ
???? The Resurrection of the Christ: Part II
Creator:
1990 Broken Badges
Director:
1990 Broken Badges
2015 Point of Honor
Executive Producer:
1990 Broken Badges
2015 Point of Honor
Writer:
1984 Hunter
1985 Stingray
1986 Starman
1987 J.J. Starbuck
1989 Unsub
1990 Broken Badges
2015 Point of Honor
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.