Iair Michel Attías

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Alias:
Facundo Attias
Facundo Iair Michel Attías
Iair Michel Attias

Additional information:

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Assistant Editor:
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2020  Furtive
2021  Los visionadores
2022  The K.E.O.P/S System
2022  Today We Fix the World

Director:
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2020  Furtive
2021  Los visionadores
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Family Catalogue

Editor:
2013  The Diary of Ana and Mia
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid

Post Production Assistant:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid

Post Production Supervisor:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  Argentina, 1985
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid

Post Production Technical Engineer:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  Argentina, 1985
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid
2024  A Ravaging Wind

Post-Production Manager:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  Argentina, 1985
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid
2024  A Ravaging Wind

Producer:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  Argentina, 1985
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid
2024  A Ravaging Wind

Visual Effects Editor:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  Argentina, 1985
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid
2024  A Ravaging Wind

Writer:
2013  The Diary of Ana and Mia
2018  A Family Submerged
2018  Rojo
2018  Todo el año es Navidad
2019  Atenas
2019  Brief Story from the Green Planet
2019  El gran combo
2019  Torito
2020  Furtive
2020  Medium
2020  Santa Fe - notas, 2017-2019
2021  El largo viaje de Alejandro Bordón
2021  Los visionadores
2022  Argentina, 1985
2022  North Terminal
2022  The K.E.O.P/S System
2022  Today We Fix the World
2023  Duet
2023  Family Catalogue
2023  Maid
2024  A Ravaging Wind

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.