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Caroline Stucky

Alias:
Caroline Mariko Stucky

Biography from TheMovieDB

Caroline Mariko Stucky is an award winning Swiss-Japanese independent filmmaker with a fierce passion for American culture. For Caroline, film, the world of the image, is the ultimate language that trumps the whirling kaleidoscope of spoken languages of her childhood. As a director, the 2013-2014 season has marked the premieres of her two short films "Paper Boats" and "ColorBlind" in New York, as well as the beginning of work for her first feature film.  She has worked on several theater productions, including Pierric Tenthorey's "Homme encadré sur fond blanc" (2010-2012), Domenico Carli's "Boléros" with Atelier C in 2008, "Don Juan" with the Sun & Moon Theater Company in 2008, and Robert Wilson's "In the Evening at Koi Pond" with Change Performing Arts Milano at the 2005 Aichi World Expo in Nagoya.

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Additional information:

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Film Production

Cinematography:
2016  Us
2019  The Dead Cat

Director:
2014  Paper Boats
2016  Us
2019  The Dead Cat

Director of Photography:
2014  Paper Boats
2016  Us
2019  The Dead Cat
2022  Stag

Key Grip:
2014  Paper Boats
2016  Us
2019  Pledge
2019  The Dead Cat
2022  Stag

Producer:
2014  Paper Boats
2016  Us
2019  Pledge
2019  The Dead Cat
2022  Stag

Writer:
2014  Paper Boats
2016  Us
2019  Pledge
2019  The Dead Cat
2022  Stag

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.