Home

Chris Fudge (b. 1980)

Alias:
Christopher Leonard Fudge

Birthplace:
Grand Bank, Newfoundland

Born:
May 26, 1980

Biography from TheMovieDB

Chris Fudge is a Canadian director, cinematographer, and photographer, Born in Grand Bank, Newfoundland, Canada but later relocated to Halifax, Nova Scotia. His debut film, Ransom (2016), screened at four international film festivals and won several awards including 'Best Thriller Short' at the Hollywood International Motion Pictures Film Festival in California.  Encouraged by the success of his first film, Chris produced Underneath the Makeup,There's Me (2016), a short film about a transgender teen dealing with an existential crisis. This film screened at international human rights film festivals around the world in countries such as India, the United States, and the Ukraine.  Underneath the Makeup, There's Me won festival awards in Indiana, Arkansas, and the 'LGBT Short award' at the Hollywood International Motion Pictures Film Festival, in California. Chris was invited to the red carpet event and screening located at Raleigh Studios. Upon returning to Canada, Chris was sought out by local news media outlets and was featured in several newspaper articles, including a live interview with VOCM Radio in Newfoundland, Canada where Chris is originally from.  Return To Form (2017) was accepted and screened at the Atlantic Film Festival in Halifax, Nova Scotia. Apprehension (2018) was selected at the Short and Sweet Film Festival, at the Marilyn Monroe Theatre in Hollywood with Chris attending.  Chris is the proud owner and creator of Plateau Entertainment, where he continues to produce his films, with two short films in progress to be released, Summer 2022.  In 2023, He released "Blue & White" A film that follows a man suffering with ADHD struggles to get through his daily routine.  Chris resides in Windsor, Ontario

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

Film Production

Cinematography:
2022  Blue & White
2023  Sorting

Director:
2010  Tragedy
2012  Documentary of the Mersey Townsite
2016  Ransom
2016  Underneath the Makeup, There's Me
2017  Return to Form
2018  Apprehension
2018  In the Shadows
2020  If I Could Talk
2022  Blue & White
2023  Sorting

Director of Photography:
2010  Tragedy
2012  Documentary of the Mersey Townsite
2016  Ransom
2016  Underneath the Makeup, There's Me
2017  Return to Form
2018  Apprehension
2018  In the Shadows
2020  If I Could Talk
2022  Blue & White
2023  Sorting

Editor:
2010  Tragedy
2012  Documentary of the Mersey Townsite
2016  Ransom
2016  Underneath the Makeup, There's Me
2017  Return to Form
2018  Apprehension
2018  In the Shadows
2020  If I Could Talk
2022  Blue & White
2023  Sorting

Music:
2010  Tragedy
2012  Documentary of the Mersey Townsite
2016  Ransom
2016  Underneath the Makeup, There's Me
2017  Return to Form
2018  Apprehension
2018  In the Shadows
2020  If I Could Talk
2022  Blue & White
2023  Sorting

Producer:
2010  Tragedy
2012  Documentary of the Mersey Townsite
2016  Ransom
2016  Underneath the Makeup, There's Me
2017  Return to Form
2018  Apprehension
2018  In the Shadows
2020  If I Could Talk
2022  Blue & White
2023  Sorting

Writer:
2010  Tragedy
2012  Documentary of the Mersey Townsite
2016  Ransom
2016  Underneath the Makeup, There's Me
2017  Return to Form
2018  Apprehension
2018  In the Shadows
2020  If I Could Talk
2022  Blue & White
2023  Sorting

Click the heading above to show or hide the list.

TV Production

Cinematography:
2020  English, Chinese

Creator:
2020  English, Chinese

Director:
2020  English, Chinese

Editor:
2020  English, Chinese

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.