Charmaine Binji

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Charmaine Binji emerges as a luminary in the world of film production, originating from the dynamic city of London, England. Her distinguished career reflects an exceptional talent for story development, shaping the tapestry of contemporary theatrical and television media. Collaborating with industry giants like Rocket Sky High Motion Pictures, Charmaine's creative prowess has breathed life into a myriad of captivating projects.  While initially establishing her mark in the realms of horror and thrillers, Charmaine Binji has gracefully transitioned her focus to the enthralling domain of action cinema. Her recent ventures include collaborations with stars from iconic works such as The Raid and The Night Comes For Us, underlining her standing as a dynamic force in the diverse landscape of filmmaking.  Beyond the allure of the silver screen, Charmaine's personal narrative intertwines with the heartbeat of cinema. Engaged to the talented film director Ranjeet S. Marwa, her journey is not just a professional triumph but a narrative woven with passion, creativity, and a love story that mirrors the enchantment of the cinematic realm.

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Producer:
2019  The Missing

Story Editor:
2019  The Missing
2023  Spring Lakes

Writer:
2019  The Missing
2022  Exiled: The Chosen Ones
2023  Spring Lakes

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.