Didier Eribon (b. 1953)

Birthplace:
Reims, Marne, France

Born:
July 10, 1953

Didier Eribon (born 10 July 1953) is a French author and philosopher, and a historian of French intellectual life. He lives in Paris.  Didier Eribon was born in Reims into a working-class family. He was the first in his family to finish secondary education. He credits his mother with helping him achieve this; a factory worker, she had to work overtime to be able to pay for his education.  Didier Eribon is professor at the School of Philosophy and Social Sciences of the University of Amiens (France). He has been running a seminar at the École des hautes études en sciences sociales in Paris for several years. He has also been Visiting Professor at the University of California, Berkeley for several years, and at the Institute for Advanced Study, Princeton.  Eribon has lectured in several countries: in the U.S., at The New School, University of Chicago, Harvard University, Yale University, New York University (NYU), the University of Michigan at Ann Arbor, the University of Virginia at Charlottesville, and Columbia University among others. He was one of the speakers at the Conference "Foucault in Berkeley. Twenty Years Later", held in Berkeley October 2004, with Leo Bersani, Judith Butler, Paul Rabinow, Hubert Dreyfus, Michael Lucey, and others.  He is the author of several books, including his Réflexions sur la question gay (1999, Insult and the Making of the Gay Self), Une morale du minoritaire (2001), and Echapper à la psychanalyse (2005, Escaping Psychoanalysis). His biography of Michel Foucault (1989), published in English in 1991, has been praised by Pierre Bourdieu, Paul Veyne, Paul Rabinow and Hayden White, among others. His 1988 book of conversations with Claude Lévi-Strauss was also published in English in 1991.  Eribon wrote frequently for Le Nouvel Observateur, a French weekly magazine. He reviewed books in the fields of philosophy and social sciences.  His 2009 memoir Returning to Reims has had an influence beyond the field of sociology. French novelist, Édouard Louis cites the book as having "marked a turning point for his future as a writer."  Additionally, the book was adapted for the stage by Laurent Hatat, in a play that debuted at the Festival Avignon in July 2014. It was directed by Thomas Ostermeier as part of the 2017 Manchester International Festival. The book also received enthusiastic reviews in the French press, such as Le Monde, Libération, L'Express and Les Inrockuptibles.  A film adaptation Retour à Reims (Fragments) by Jean-Gabriel Périot was released in 2021.  Eribon is the recipient of the 2008 Brudner Prize. He returned the prize in May 2011 (see his letter: "I Return the Brudner Prize" on his personal homepage).  Source: Article "Didier Eribon" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Novel:
2022  Returning to Reims

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.