A work in constant progress (and occasional regress).
Alias:
κΉνμ
Sound:
2021 Log in Belgium
Sound Designer:
2013 Blood and Ties
2013 The Stone
2014 My Brilliant Life
2014 Tazza: The Hidden Card
2021 Log in Belgium
Sound Supervisor:
2013 Blood and Ties
2013 The Stone
2014 A Girl at My Door
2014 My Brilliant Life
2014 Tazza: The Hidden Card
2014 The Empire of Shame
2015 Circle of Atonement
2015 Deep Trap
2015 Roaring Currents: The Road of the Admiral
2015 Snowy Road
2016 Dear Grandma
2016 Half
2016 Lost in the Moonlight
2016 See-Saw
2017 Ash Flower
2017 Yongsoon
2018 A Tiger in Winter
2018 Intention
2018 The Soul-Mate
2019 Rivercide: The Secret Six
2019 The Faceless Boss
2019 Vertigo
2020 A French Woman
2020 Ghost Ship
2020 Stone Skipping
2021 Log in Belgium
2021 The Book of Fish
2022 Parallel Adventure of Madam Mizy
2022 The Girl on a Bulldozer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.