Jim Vendiola

Birthplace:
Miami, Florida, USA

Jim is an award-winning, Filipino-American filmmaker whose work frequently explores heartache, longing, liminality, eros, and pathos. He’s been named one of Newcity's FILM 50 of 2016, 2018, and 2020—alongside such production notables as Dick Wolf ("Law & Order"), The Wachowskis (The "Matrix" Saga), and Steve James ("Hoop Dreams"). He is a 2021 3Arts “Make a Wave” grantee, and grand award winner of the inaugural NewNarratives Program from NewFilmmakers LA and WarnerMedia OneFifty.  Jim's psychological horror short, "Violets," which reframes the genre's more common predator/prey dynamic, received the 22nd Chicago Underground Film Festival's Audience Award. His follow up, "Library Hours," is a reimagined approach to vintage erotica that favors empathy over objectification, and stylistic purpose over the male gaze. Reviewing its sold-out West Coast Premiere at HBO's Outfest LA, one critic wrote, “The material in the hands of a lesser writer or director could have been exploitative, sexually gratuitous and even insensitive, but under Jim Vendiola [it] is anything but.” Jim's latest short, "Pretty Pickle"—part horror, part comedy of manners, part modern romance—will World Premiere at the Chattanooga Film Festival in Summer 2022.  His is currently developing a neo-noir crime thriller limited series, "Argus," for WarnerMedia OneFifty, with co-creator and co-writer, LeLe Park.

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Director:
2015  Violets
2017  Library Hours
2022  Pretty Pickle

Writer:
2015  Violets
2017  Library Hours
2022  Pretty Pickle

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.