Andrea Yu-Chieh Chung

Birthplace:
Taiwan

Andrea Yu-Chieh Chung had been training to become a classical musician when she left home at the age of 18 to attend New York University Abu Dhabi. Although she intended to study Social Research and Public Policy, she soon found herself inexplicably drawn to Film and New Media. Fortunately, she has found a happy balance between these disciplines in documentary filmmaking.  Long before discovering her passion in documentary filmmaking, Andrea was born in Taipei, Taiwan, to a family full of wanderers. Her mother is a flight attendant, while her father's family belongs to a subgroup of Han Chinese called Hakka, who got their name, literally translates as "guest people," because of their large diaspora population.  Influenced by her family, Andrea is curious about the world and passionate about telling stories of people who are in between places or stages of life, as well as those who strive to understand and overcome differences.  Andrea’s documentary and multimedia work have allowed her to continue exploring the globe: She made Como Núnca Fuimos (Like We Never Left) in Cuba, exploring ideas of home and what change in this intimate space can mean. Her time spent living in the United Arab Emirates culminated in Finding Nasseebi, an autobiographical film in which she documents her journey to learn about Islam and to love someone deeply, despite differences in religious beliefs. As a videographer, she worked for various media outlets, documenting the Brussels Film Festival in Belgium and the largest travel blogger convention that took place in Stockholm, Sweden in 2016.  Andrea’s films have screened at festivals around the world, while her written and other audiovisual works have appeared in publications such as Litro Magazine, Cineuropa.com, Airport Road, The Gazelle, and Peninsula Press. She holds an MFA in Documentary Film and Video from Stanford University.  -Andrea Yu-Chieh Chung's official web

Additional information:

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Director:
2016  Like We Never Left
2018  Finding Nasseebi
2020  Sleepwalker

Director of Photography:
2016  Like We Never Left
2018  Finding Nasseebi
2020  Sleepwalker

Editor:
2016  Like We Never Left
2018  Finding Nasseebi
2020  Sleepwalker

Producer:
2016  Like We Never Left
2018  Finding Nasseebi
2020  Sleepwalker

Sound Mixer:
2016  Like We Never Left
2018  Finding Nasseebi
2020  Sleepwalker

Writer:
2016  Like We Never Left
2018  Finding Nasseebi
2020  Sleepwalker

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.