A work in constant progress (and occasional regress).
Darius Shu is a British cinematographer based in London. His work spans narrative drama, fashion, music promos, and commercials, with a strong commitment to visual storytelling that elevates underrepresented voices and Asian narratives. In 2023, Darius lensed the BAFTA-nominated documentary Always, Asifa and the Netflix documentary Peach Paradise. His cinematography on Queer Parivaar (BFI Flare 2024) won Best British Film at the Iris Prize 2022, both directed by Shiva Raichandani. Most recently, he shot Where We Came From (2024), starring Emmy-winning Archie Panjabi. He served as the 2nd Unit Director of Photography on Justin Lin's Last Days, premiering at Sundance Film Festival 2025, and recently shot his first feature, Slim, directed by Sky Yang and executive produced by Chi Thai. Darius's directorial work has been recognised at internationally renowned BAFTA, Oscar, and BIFA-qualifying festivals. His debut short film, His Hands (2019), premiered at Tribeca Film Festival, where it was nominated for Best Narrative Short. His second film, I Am Norman (2021), premiered at the Oscar-qualifying Rhode Island International Film Festival. Most recently, his sci-fi film PLOP (2025) was selected In Competition at the Manchester Film Festival 2025. He is currently in post-production on Molly, his latest British East Asian film and first original screenplay. With a passion for humanistic storytelling, Darius crafts visually compelling poetic narratives that resonate deeply. His commitment is to continue to amplify diverse voices and create bold, socially conscious cinema.
Additional Photography:
2024 Lullaby
Director:
2018 His Hands
2020 I Am Norman
2024 Lullaby
???? Molly
???? PLOP
Director of Photography:
2018 His Hands
2018 Secret Child: The Bridge
2020 I Am Norman
2020 Mical
2020 Tainted
2021 Stockholm
2022 Always, Asifa
2022 Peach Paradise
2022 Queer Parivaar
2022 Sent to Cov
2024 Lullaby
2024 Still
2024 The Lime Green Shirt
2024 Where We Came From
???? Molly
???? PLOP
???? The White Hart
Producer:
2018 His Hands
2018 Secret Child: The Bridge
2020 I Am Norman
2020 Mical
2020 Tainted
2021 Stockholm
2022 Always, Asifa
2022 Peach Paradise
2022 Queer Parivaar
2022 Sent to Cov
2024 Lullaby
2024 Still
2024 The Lime Green Shirt
2024 Where We Came From
???? Molly
???? PLOP
???? The White Hart
Second Unit Director of Photography:
2018 His Hands
2018 Secret Child: The Bridge
2020 I Am Norman
2020 Mical
2020 Tainted
2021 Stockholm
2022 Always, Asifa
2022 Peach Paradise
2022 Queer Parivaar
2022 Sent to Cov
2024 Lullaby
2024 Still
2024 The Lime Green Shirt
2024 Where We Came From
2025 Last Days
???? Molly
???? PLOP
???? The White Hart
Writer:
2018 His Hands
2018 Secret Child: The Bridge
2020 I Am Norman
2020 Mical
2020 Tainted
2021 Stockholm
2022 Always, Asifa
2022 Peach Paradise
2022 Queer Parivaar
2022 Sent to Cov
2024 Lullaby
2024 Still
2024 The Lime Green Shirt
2024 Where We Came From
2025 Last Days
???? Molly
???? PLOP
???? The White Hart
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.