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Harvey Rabbit

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Birthplace:
California, USA

Biography from TheMovieDB

Harvey Rabbit is a transgender artist living in Berlin, Germany. He has a Masters degree in dramaturgy and a Masters of Fine Arts in Experimental Theater, both from New College of California. A campaigner for LGBTQIA* and sex worker rights, his activism dates back to the mid-90s when, using spoken word as his medium, he stormed the stages of Northern California, speaking about feminism, queerness, and empowerment. He was selected for the 2007 CESTA “Waste” festival, a cross-cultural and cross-disciplinary festival in Tàbor, Czech Republic and his one-woman show “Madge’s Box,” was chosen for the 2008 San Francisco Fringe Festival. From 2013 to 2015, he produced, curated, and hosted Varieté Ridiculous, a political cabaret in Berlin focusing on sex worker rights. In 2016, his first short film, Slowdance (2016), a film noir about homophobia and gay love, premiered at the Berlin Porn Film Festival and has been shown in queer film festivals in many parts of Europe, South and Central America, and the USA. In 2017, heproduced “We are the Fucking World,” a short film for Erika Lust. His most recent work, The Chemo Darkroom (2018) was selected for the shorts competion in the Berlin Porn Film Festival, Berlin Feminist Film Week, IKFF Hamburg and the 2019 Hacker Porn Film Festival in Rome. “Captain Faggotron Saves the Universe” is his first feature film.

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Film Performances

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Film Production

Director:
2018  The Chemo Darkroom
2023  Captain Faggotron Saves the Universe

Producer:
2018  The Chemo Darkroom
2023  Captain Faggotron Saves the Universe

Screenplay:
2018  The Chemo Darkroom
2023  Captain Faggotron Saves the Universe

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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