Home

Rodney Llaverías

Gallery Unavailable

Alias:
Rodney Llaverias

Biography from TheMovieDB

Rodney Llaverías is a Dominican-American filmmaker with a graduate degree in Screenwriting & Directing from Columbia University. His shorts have screened at Rotterdam, San Sebastián, Locarno, New Orleans Film Festival, Miami Film Festival, Max Ophüls Preis Film Festival, Outfest, and the Guadalajara International Film Festival. He is also a Berlinale Talents alumn and a 2022 recipient of the Newfest New Voices Filmmaker grant in partnership with Netflix in support of emerging LGBTQ+ filmmakers.  Rodney is the co-writer of the short film "Darling" which won the Orizzonti Award for Best Short at the Venice International Film Festival in 2019, Special Mention at SXSW, and an official selection at TIFF. Rodney received the Katharina Otto-Bernstein production grant for his short film Tropicalía. Tropicalía is based on his project La Canícula which will be his feature directorial debut.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Director:
2019  The Two-Headed Calf
2022  Tropicalía

Production Designer:
2018  Molt
2018  Truck Slut
2019  The Two-Headed Calf
2022  Tropicalía

Screenplay:
2018  Molt
2018  Truck Slut
2019  Darling
2019  The Two-Headed Calf
2022  Tropicalía

Writer:
2018  Molt
2018  Truck Slut
2019  Darling
2019  The Two-Headed Calf
2022  Tropicalía

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.