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Panos Sambrakos

Biography from TheMovieDB

Panos Sambrakos is the Chief Creative Officer of Ogilvy Greece and one of the most awarded creatives in the country, with multiple international awards at Cannes Lions, Clios, One Show, D&AD, LIA, and the Webbys.  Panos is a screenwriter and a pioneer in Branded Entertainment, having created several fiction films, series, and documentaries for brands, that have been popular with audiences and won a total of 8 Cannes Lions, including a Gold Lion in Glass: The Lion for Change in 2022, for Lacta's "Don't Ever Leave Me," a Silver Lion for the feature-length documentary “The Real Robokids” (2020) for Cosmote, a Gold and a Silver Lion for “From the Start” (2017) web series for Lacta, a Silver Lion for Lacta's TV movie “Love Like There’s No Tomorrow” (2016) as well as 2 Silver and 1 Bronze Lions for the theatrically released “Love In The End” (2013) for Lacta, that also won a Gold Clio.  Panos was a jury member of the Entertainment Lions at Cannes Lions 2021 and has been a judge at the D&AD awards and the president of the Ermis Awards in Greece. He was also the founder of one of the most historic James Bond fan sites, Mr. Kiss Kiss Bang Bang!

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Film Production

Creative Producer:
2015  Make the Move

Story:
2015  Make the Move
2016  Love like there's no tomorrow
2018  Robogirl
2018  The Taste of Love

Writer:
2013  Love in the End
2015  Make the Move
2016  Love like there's no tomorrow
2018  Robogirl
2018  The Taste of Love
2020  The Real Robokids

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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