A work in constant progress (and occasional regress).
Alias:
Massimo D'Avack
Adaptation:
1969 So Sweet... So Perverse
Screenplay:
1964 Dark Purpose
1969 Detective Belli
1969 So Sweet... So Perverse
1969 The Labyrinth of Sex
1969 The Queer ... The Erotic
1970 A Man Called Sledge
1972 Who Saw Her Die?
1974 The Perfume of the Lady in Black
Story:
1964 Dark Purpose
1968 Bandits in Rome
1969 Detective Belli
1969 So Sweet... So Perverse
1969 The Labyrinth of Sex
1969 The Queer ... The Erotic
1970 A Man Called Sledge
1970 The Deserter
1972 Who Saw Her Die?
1974 The Perfume of the Lady in Black
Writer:
1964 Dark Purpose
1968 Bandits in Rome
1969 Detective Belli
1969 So Sweet... So Perverse
1969 The Labyrinth of Sex
1969 The Queer ... The Erotic
1970 A Man Called Sledge
1970 The Deserter
1972 Man from Deep River
1972 Who Saw Her Die?
1974 The Perfume of the Lady in Black
1976 Occhio Alla Vedova!
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.