Joana Toste

Born in May, 1970, she graduated in Industrial Design, followed by a post graduation in the same area at the Glasgow School of Art/Centro Português de Design. She studied Fine Art at the Sociedade Nacional de Belas Arte in Lisbon and in 1992 interrupted her course to study Animation at Tobistoon. Since then, she has worked continuously in animation, both in cooperation with other studios and developing her own projects. In 2004, she set up her own production company, Gomtch Gomtch. She also works as an illustrator, set designer for theatre and website designer, as well as organizing workshops for children.

Additional information:

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Animation:
2006  Menu

Director:
2004  The Lady of Lapa
2006  Menu
2006  Will Be
2007  Cães Marinheiros
2008  Chicken Stew
2010  R-Xyz
2013  Ana - A Palindrome
2017  Darwin's Cave
2021  The Girl Who Stood Still

Director of Photography:
2004  The Lady of Lapa
2006  Menu
2006  Will Be
2007  Cães Marinheiros
2008  Chicken Stew
2010  R-Xyz
2013  Ana - A Palindrome
2017  Darwin's Cave
2021  The Girl Who Stood Still

Editor:
2004  The Lady of Lapa
2006  Menu
2006  Will Be
2007  Cães Marinheiros
2008  Chicken Stew
2010  R-Xyz
2013  Ana - A Palindrome
2017  Darwin's Cave
2021  The Girl Who Stood Still

Producer:
2004  The Lady of Lapa
2006  Menu
2006  Will Be
2007  Cães Marinheiros
2008  Chicken Stew
2010  R-Xyz
2013  Ana - A Palindrome
2017  Darwin's Cave
2021  The Girl Who Stood Still

Storyboard:
2004  The Lady of Lapa
2006  Menu
2006  Will Be
2007  Cães Marinheiros
2008  Chicken Stew
2010  R-Xyz
2013  Ana - A Palindrome
2017  Darwin's Cave
2021  The Girl Who Stood Still

Writer:
2004  The Lady of Lapa
2006  Menu
2006  Will Be
2007  Cães Marinheiros
2008  Chicken Stew
2010  R-Xyz
2013  Ana - A Palindrome
2017  Darwin's Cave
2021  The Girl Who Stood Still

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.