A work in constant progress (and occasional regress).
Birthplace:
New Zealand
Cushla Dillon is known for her work on Snakeskin (2001), Orphans & Kingdoms (2014) and Topless Women Talk About Their Lives (1997).
Director:
2023 King Loser
Editor:
1997 Topless Women Talk About Their Lives
1998 Jumbo
1998 Venus Blue
2001 Snakeskin
2003 Beauty Will Save the World
2008 Trouble Is My Business
2010 After the Waterfall
2010 Choice Night
2021 The Justice of Bunny King
2022 No Māori Allowed
2023 Gate Crash
2023 King Loser
2023 Red Mole: A Romance
2024 The House Within
2024 The Mountain
Writer:
1997 Topless Women Talk About Their Lives
1998 Jumbo
1998 Venus Blue
2001 Snakeskin
2003 Beauty Will Save the World
2008 Trouble Is My Business
2010 After the Waterfall
2010 Choice Night
2016 The Free Man
2021 The Justice of Bunny King
2022 No Māori Allowed
2023 Gate Crash
2023 King Loser
2023 Red Mole: A Romance
2024 The House Within
2024 The Mountain
Editor:
2016 Wanted
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.