Jackson Hayat

Birthplace:
Apollo Bay, Australia

Jackson Hayat is a filmmaker hailing from Melbourne, Australia. Originally growing up in the small coastal town of Apollo Bay, he moved to Melbourne to pursue a Bachelor of Film & Television at Swinburne University.  Jackson has a keen interest in directing documentaries and narrative projects, showcasing these stories with a love of stylization.  Outside of this he also works on subsequent projects as a Director of Photography, looking to continually expand his visual skillset across a wide range of creative endeavors.  Nothing excites Jackson more than a camera in his hands and a story to tell.

Additional information:

The Search Form


Camera Department Production Assistant:
????  Down Past the Gate

Colorist:
2020  Play Along
????  Down Past the Gate
????  Putty's Pride

Director:
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride

Director of Photography:
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride

Editor:
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride

Executive Producer:
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride

Gaffer:
2019  Oasis
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride
????  Sparky

Producer:
2019  Oasis
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride
????  Sparky

Sound:
2019  Me Faire Plaisir
2019  Oasis
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride
????  Sparky

Story:
2019  Me Faire Plaisir
2019  Oasis
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride
????  Sparky

Writer:
2019  Me Faire Plaisir
2019  Oasis
2020  Drifting Billy
2020  Play Along
????  Declutter
????  Down Past the Gate
????  Putty's Pride
????  Sparky

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.