A work in constant progress (and occasional regress).
Birthplace:
Warsaw, Warszawskie [now Mazowieckie], Poland
Born:
October 6, 1928
Died:
February 13, 2020
Liliane de Kermadec (6 October 1928 – 13 February 2020) was a Polish-French film director and screenwriter, known for Aloïse (1975), La piste du télégraphe (1994) and Sophie et le Capitaine (1978). She directed more than twenty films and documentaries between 1965 and 2016. Kermadec began as a set photographer, working with Agnes Varda on Cléo from 5 to 7, Alain Resnais on Muriel, and Yves Robert on Berbert and the Train. Her first two feature films, Home Sweet Home (1972) and Aloïse (1975), were both screened at Cannes Film Festival.
Adaptation:
1982 Mersonne ne m'aime
Camera Operator:
1982 Mersonne ne m'aime
2018 Paris ou l’utopie perdue
Cinematography:
1982 Mersonne ne m'aime
2005 L'histoire naturelle d'Armand David
2008 Le Murmure Des Ruines
2009 Péripéties et perfections des acteurs de l'Opéra de Pékin
2016 Le cri des fourmis
2018 Paris ou l’utopie perdue
Co-Producer:
1977 News from Home
1982 Mersonne ne m'aime
2005 L'histoire naturelle d'Armand David
2008 Le Murmure Des Ruines
2009 Péripéties et perfections des acteurs de l'Opéra de Pékin
2016 Le cri des fourmis
2018 Paris ou l’utopie perdue
Director:
1964 Le temps d'Emma
1965 Qui donc a rêvé ?
1967 La récré
1970 Viva Varda!
1973 Home Sweet Home
1975 Aloïse
1977 News from Home
1978 Sophie et le Capitaine
1981 Le petit Pommier
1982 Mersonne ne m'aime
1986 Un moment d'inattention
1994 The Telegraph Route
1995 Le Cinéma de grand-père
2005 L'histoire naturelle d'Armand David
2008 Le Murmure Des Ruines
2008 Étoiles et petits pas
2009 Péripéties et perfections des acteurs de l'Opéra de Pékin
2011 He Film
2016 Le cri des fourmis
2018 Paris ou l’utopie perdue
Producer:
1964 Le temps d'Emma
1965 Qui donc a rêvé ?
1967 La récré
1970 Viva Varda!
1973 Home Sweet Home
1975 Aloïse
1976 Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
1976 Tomorrow's Children
1977 News from Home
1978 Sophie et le Capitaine
1981 Le petit Pommier
1982 Mersonne ne m'aime
1986 Un moment d'inattention
1994 The Telegraph Route
1995 Le Cinéma de grand-père
2005 L'histoire naturelle d'Armand David
2008 Le Murmure Des Ruines
2008 Étoiles et petits pas
2009 Péripéties et perfections des acteurs de l'Opéra de Pékin
2011 He Film
2016 Le cri des fourmis
2018 Paris ou l’utopie perdue
Still Photographer:
1962 Cléo from 5 to 7
1962 Les Culottes rouges
1963 Bebert and the Train
1963 Muriel, or the Time of Return
1964 Le temps d'Emma
1965 Qui donc a rêvé ?
1967 La récré
1970 Viva Varda!
1973 Home Sweet Home
1975 Aloïse
1976 Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
1976 Tomorrow's Children
1977 News from Home
1978 Sophie et le Capitaine
1981 Le petit Pommier
1982 Mersonne ne m'aime
1986 Un moment d'inattention
1994 The Telegraph Route
1995 Le Cinéma de grand-père
2005 L'histoire naturelle d'Armand David
2008 Le Murmure Des Ruines
2008 Étoiles et petits pas
2009 Péripéties et perfections des acteurs de l'Opéra de Pékin
2011 He Film
2016 Le cri des fourmis
2018 Paris ou l’utopie perdue
Writer:
1962 Cléo from 5 to 7
1962 Les Culottes rouges
1963 Bebert and the Train
1963 Muriel, or the Time of Return
1964 Le temps d'Emma
1965 Qui donc a rêvé ?
1967 La récré
1970 Viva Varda!
1973 Home Sweet Home
1975 Aloïse
1976 Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
1976 Tomorrow's Children
1977 News from Home
1978 Sophie et le Capitaine
1981 Le petit Pommier
1982 Mersonne ne m'aime
1986 Un moment d'inattention
1994 The Telegraph Route
1995 Le Cinéma de grand-père
2005 L'histoire naturelle d'Armand David
2008 Le Murmure Des Ruines
2008 Étoiles et petits pas
2009 Péripéties et perfections des acteurs de l'Opéra de Pékin
2011 He Film
2016 Le cri des fourmis
2018 Paris ou l’utopie perdue
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.