A work in constant progress (and occasional regress).
Alias:
Peter Röhsler
Peter Roehsler is an Autrian cinematographer and producer. He is a graduate of the Filmacademy in Vienna. Roehsler is the founder and operator of nanookfilm.
Cinematography:
2009 Initiation
Director:
2009 Initiation
2017 Ljubljana Ronde
Director of Photography:
1987 Küss die Hand, Österreich
1992 Koshmar - Give me a Strong Purpose
1992 Miesi
1992 Muß denken
1993 Das Auge des Taifun
1994 Gehorsam und Verweigerung
1994 Rätsel Zeit
1995 Emigration N.Y.
1996 Alles ist Architektur: Porträt Hans Hollein
1996 East of War
2000 The Virgin
2000 We Will Live Forever
2001 Homemad(e)
2005 Neue Welt
2009 Initiation
2009 Schottentor
2010 Die verrückte Welt der Ute Bock
2011 Murder Sisters
2012 Museum Hours
2012 Present Tense
2013 Gehen am Strand
2013 Those Who Go Those Who Stay
2016 Sin & Illy still alive
2017 Ljubljana Ronde
2018 Kino Wien Film
2019 The Guest
Producer:
1987 Küss die Hand, Österreich
1992 Koshmar - Give me a Strong Purpose
1992 Miesi
1992 Muß denken
1993 Das Auge des Taifun
1994 Gehorsam und Verweigerung
1994 Rätsel Zeit
1995 Emigration N.Y.
1996 Alles ist Architektur: Porträt Hans Hollein
1996 East of War
2000 The Virgin
2000 We Will Live Forever
2001 Homemad(e)
2005 Neue Welt
2009 Initiation
2009 Schottentor
2010 Die verrückte Welt der Ute Bock
2011 Murder Sisters
2012 Museum Hours
2012 Present Tense
2013 Gehen am Strand
2013 Those Who Go Those Who Stay
2016 Sin & Illy still alive
2017 Ljubljana Ronde
2018 Kino Wien Film
2019 The Guest
Producer:
1999 Alma - A Show biz ans Ende
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.