A work in constant progress (and occasional regress).
Birthplace:
Kosovo
Antoneta Kastrati ,born 1981 in Pejë, Kosovo, is a Kosovo-born film director and screenwriter, recognized as part of the "Kosovo New Wave" – the first generation of female directors in the country. Her work often explores themes of post-war society, social issues, and the complexities of human relationships. She is a Documentary & Narrative Director from Kosovo, based in Los Angeles. Kastrati's early films, made in the aftermath of the Kosovo War, shed light on the struggles and experiences of individuals navigating post-conflict life. Her notable documentaries include "Dasmat dhe Pampersat" (Weddings and Diapers) and "Zana" (2010). Kastrati frequently collaborates with her husband, American filmmaker Casey Cooper Johnson. Together, they have directed documentaries such as "Love Makes a Difference" (2011) and "Zana: The Unseen" (2019), which delve into social issues and gender dynamics in Kosovo. Kastrati's work often delves into the complexities of marriage and relationships, particularly within the context of Kosovo's evolving social norms. Her documentary "Marriage and Diapers" examines the changing landscape of marriage customs, while "Love Makes a Difference" explores the challenges and triumphs of interfaith couples. Kastrati's films have garnered international recognition and awards. "Zana" received the Grand Jury Prize at the 2010 Kosovo Film Festival, and "Love Makes a Difference" was awarded Best Documentary at the 2011 Raindance Film Festival.
Associate Producer:
2011 Unmanned
Director:
2007 Weddings and Diapers
2010 The Guardian
2011 Lullaby
2011 Unmanned
2019 Zana
Editor:
2007 Weddings and Diapers
2010 The Guardian
2011 Lullaby
2011 Unmanned
2019 Zana
Producer:
2007 Weddings and Diapers
2010 The Guardian
2011 Lullaby
2011 Unmanned
2019 Zana
Writer:
2007 Weddings and Diapers
2010 The Guardian
2011 Lullaby
2011 Unmanned
2019 Zana
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.