A work in constant progress (and occasional regress).
Izza Génini was born in Casablanca, Morocco, in 1942 to a Jewish family. After studying literature and foreign languages at the Sorbonne and the Institut national des langues et civilisations orientales, both in Paris, Génini decided to enter cinema. In 1973, she founded SOGEAV for the distribution of French films in French speaking African nations, distribution of African films abroad, and the production of films El Hal and Transes, the latter of the two directed by Ahmed El Maanouni. Martin Scorsese would later remaster this film in his World Cinema Project, with an interview with Génini included on the disk. In 1987, Génini began the production of a documentary series on traditional Moroccan music called Maroc, corps et âme, or Morocco, Body and Soul, containing fifteen parts.
Director:
1988 Aïta
1988 Hymns of Praise
1989 Gnaouas
1989 Malhoune
1989 Rhythms of Marrakech
1993 Vibrations in Upper Atlas
1994 Return to Oulad Moumen
1997 Pour le Plaisir des Yeux
2022 My Thursday Souk
Producer:
1982 Trances
1988 Aïta
1988 Hymns of Praise
1989 Gnaouas
1989 Malhoune
1989 Rhythms of Marrakech
1993 Vibrations in Upper Atlas
1994 Return to Oulad Moumen
1997 Pour le Plaisir des Yeux
2022 My Thursday Souk
Writer:
1982 Trances
1988 Aïta
1988 Hymns of Praise
1989 Gnaouas
1989 Malhoune
1989 Rhythms of Marrakech
1993 Vibrations in Upper Atlas
1994 Return to Oulad Moumen
1997 Pour le Plaisir des Yeux
2022 My Thursday Souk
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.