A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
May 7, 1933
Died:
December 29, 1993
Director:
1962 Der Marquis von Keith
1963 Ein Dorf ohne Männer
1963 Kaiser Joseph und die Bahnwärterstochter
1964 Wie ein Dieb in der Nacht
1973 Ein junger Mann aus dem Innviertel
1973 The Refusal
1975 Totstellen
1976 Jakob der Letzte
1976 Young Dr. Freud
1977 Der Bauer und der Millionär
1978 Die beiden Freundinnen
1979 Der Lebemann
1981 Wie der Mond über Feuer und Blut
1982 God Does Not Believe in Us Anymore
1983 Herrenjahre
1984 Eine blassblaue Frauenschrift
1986 Welcome in Vienna
1987 Santa Fe
1990 The King's Whore
Screenplay:
1962 Der Marquis von Keith
1963 Ein Dorf ohne Männer
1963 Kaiser Joseph und die Bahnwärterstochter
1964 Wie ein Dieb in der Nacht
1973 Ein junger Mann aus dem Innviertel
1973 The Refusal
1975 Totstellen
1976 Jakob der Letzte
1976 Young Dr. Freud
1977 Der Bauer und der Millionär
1978 Die beiden Freundinnen
1979 Der Lebemann
1981 Wie der Mond über Feuer und Blut
1982 God Does Not Believe in Us Anymore
1983 Herrenjahre
1984 Eine blassblaue Frauenschrift
1986 Welcome in Vienna
1987 Santa Fe
1990 The King's Whore
Writer:
1962 Der Marquis von Keith
1963 Ein Dorf ohne Männer
1963 Kaiser Joseph und die Bahnwärterstochter
1964 Wie ein Dieb in der Nacht
1973 Ein junger Mann aus dem Innviertel
1973 The Refusal
1975 Totstellen
1976 Jakob der Letzte
1976 Young Dr. Freud
1977 Der Bauer und der Millionär
1978 Die beiden Freundinnen
1979 Der Lebemann
1981 Wie der Mond über Feuer und Blut
1982 God Does Not Believe in Us Anymore
1983 Herrenjahre
1984 Eine blassblaue Frauenschrift
1986 Welcome in Vienna
1987 Santa Fe
1990 The King's Whore
Director:
1970 Scene of the Crime
1995 Radetzky March
Writer:
1970 Scene of the Crime
1995 Radetzky March
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.