Elizabeth Woodward

Elizabeth Woodward is a producer of documentary and narrative films, and founder of WILLA.  She was selected for Forbes 30 Under 30, DOC NYC 40 Under 40, Berlinale Talents, and is an Impact Partners Producers Fellow and a Sundance Catalyst Fellow. Her recent films include ANOTHER BODY (SXSW Special Jury Award, Sundance Catalyst), YOU RESEMBLE ME (Venice Film Festival, executive produced by Spike Lee, Spike Jonze, Alma Har’el, Riz Ahmed) and ON THE DIVIDE (Tribeca Film Festival, POV on PBS). Other notable projects include Netflix’s THE GREAT HACK (Academy Award shortlist, Emmy nominee, BAFTA nominee, Sundance Film Festival), HBO’s hit series THE VOW: A NXIVM STORY (New York Times Best TV Shows of 2020), a VR experience PERSUASION MACHINES (Sundance New Frontier, SXSW).  Her films have been supported by Sundance Institute, Impact Partners, Chicken and Egg, Film Independent, Field of Vision, The Gotham, New York Foundation for the Arts, the International Documentary Association, among others. She is a member of the Council on Foreign Relations Young Professionals Group, the Academy of Television Arts & Sciences, the Documentary Producers Alliance, and the Frontline Club.  Elizabeth graduated magna cum laude and phi beta kappa from Brown University and received a masters with distinction from the University of Cambridge. She speaks fluent French and Italian.

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2020  The Vow

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.