Ron Perlman (b. 1950)

Alias:
Ronald Francis Perlman
Ronald N. "Ron" Perlman
Ronald N. Perlman
Ronald Perlman
Ρον Πέρλμαν

Birthplace:
Manhattan, New York City, New York, USA

Born:
April 13, 1950

Ronald Perlman (born April 13, 1950) is an American actor and voice-over actor. His best known roles are as Clay Morrow on Sons of Anarchy (2008–2013), Hellboy in Hellboy (2004) and its sequel Hellboy II: The Golden Army (2008), Vincent on the series Beauty and the Beast (1987–1990) for which he won a Golden Globe Award, Salvatore in The Name of the Rose (1986), Johner in Alien Resurrection (1997), Nino in Drive (2011), and Benedict Drask in Don't Look Up (2021).  Perlman is also known as a collaborator of Hellboy director Guillermo del Toro, having roles in the del Toro films Cronos (1993), Blade II (2002), Pacific Rim (2013) and Nightmare Alley (2021). His voice-over work includes the narrator of the post-apocalyptic game series Fallout (1997–present), Clayface in the DC Animated Universe, Slade in Teen Titans (2003–2006), Mr. Lancer in Danny Phantom (2004–2007), Lord Hood in the video games Halo 2 (2004) and Halo 3 (2007), the Stabbington brothers in Tangled (2010), The Lich in Adventure Time (2011–2017), Xibalba in The Book of Life (2014) and Optimus Prime in both the Transformers: Power of the Primes (2018) animated series, and the film Transformers: Rise of the Beasts (2023).

Additional information:

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Director:
1987  Beauty and the Beast

Producer:
1987  Beauty and the Beast
2016  StartUp

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.