Bruce W. Smith (b. 1961)

Alias:
브루스 W. 스미스

Birthplace:
Los Angeles, California, USA

Born:
January 1, 1961

​From Wikipedia, the free encyclopedia.    Bruce W. Smith is an American character animator, film director, and television producer, best known as the creator of Disney's The Proud Family. He studied animation in the Character Animation program at the California Institute of the Arts. One of the few Black animators working in the industry, Smith got his start as an assistant animator for Bill Meléndez's 1984 Garfield television special Garfield in the Rough. He went on to animate for Baer Animation on Who Framed Roger Rabbit, and in 1992 directed his first feature, Bébé's Kids. Other notable work for Smith during the mid-1990s included supervising the animation for The Pagemaster, serving as director and character designer for Happily Ever After: Fairy Tales for Every Child, designing the characters for A Goofy Movie and C Bear and Jamal, and co-directing the animated segments of Space Jam. He was also was the creator of Da Boom Crew along with John P. White and Stiles White. In 1998 he joined Walt Disney Feature Animation, Smith served as a supervising animator on four of its films: Tarzan, The Emperor's New Groove, Home on the Range and The Princess and the Frog. In 2000 when he still worked for Hyperion Pictures, he piloted his series The Proud Family to Nickelodeon, who passed on it. Disney Channel eventually picked the series up the following year and ran it until 2005. The series was the first to be produced by his production company Jambalaya Studios. Smith grew up in Central Los Angeles.  Description above from the Wikipedia article Bruce W. Smith, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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