George S. Cotter (1915-2011)

Alias:
Geo. S. Cotter
George Stuart Grenfell Ironside Cotter

Birthplace:
Cumberland House, Saskatchewan, Canada

Born:
July 17, 1915

Died:
July 28, 2011

George Stuart Grenfell Ironside Cotter (1915-2011)  Photographer, cinematographer.  Born at Cumberland House, Saskatchewan on 17 July 1915, he trapped and worked for the Hudson’s Bay Company before moving to Winnipeg in 1933 where he worked at the St. Vital Lumber Company. His love of nature led to a life-long hobby as a photographer of birds and other wildlife, stimulated by his experiences during the 1950 Winnipeg flood. In 1967, he sold his interest in the lumber company and, with the proceeds, established Cotter’s Wildlife Productions to make and distribute films on a wide variety of topics over the span of some four decades.  Among his many nature films, usually made in collaboration with his wife Sally (1914-1994), were Wings of Summer (1961), Wildlife Surrounds Us (1962), Manitoba Wildlife (1964), A Matter of Survival (1968), A Trilogy of Manitoba Wildlife (1972), Marshland Summer (1973), Winter Gallery (1974), Wilderness Trails (1976), The Great Grey Owl (1978), Cattail Bounty (1981), Return of the Swift Fox (1988), A Poplar Story As Told By The Tree Stump (1988), Kamik (1989), and Coat of Eider (1998). In the early 1960s, he served as President of the Manitoba Naturalists Society. In 1970, in recognition of his prolonged meritorious community service, he received a Centennial Medal from the Manitoba Historical Society.  He died at Winnipeg on 28 July 2011.

Additional information:

The Search Form


Cinematography:
1988  Return of the Swift Fox

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.