A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
Beatriz Bagulho is an illustrator and animator, born in Lisbon, 1997. Communicating through drawing and animation, she translates concepts, stories and observations into visual universes. In a constant search for how to exteriorize her conscious and subconscious thoughts, Beatriz is dedicated to a great variety of disciplines: scenography, editorial design and illustration, drawing exhibitions, graphic design and animation cinema. Beatriz studied Animation (BA) at University of the West of England. Her two short films Corporealitis and (In)Dividual have been presented and awarded at various international film festivals.
Animation:
2020 (In)Dividual
Director:
2019 Corporealitis
2020 (In)Dividual
Producer:
2019 Corporealitis
2020 (In)Dividual
Writer:
2019 Corporealitis
2020 (In)Dividual
Animation:
2022 In Our Care. The Keeper's Choice.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.